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Title: Catholic Baroque
This free essay on Art gives you an opportunity to read an extract from art essay and assess at its true value the quality of our writings. Created by our experienced writer this art essay shows the characteristic features of the Baroque style in Art. It displays Italian Baroque artists’ style of painting having taken one of Caravaggio’s works - “The Crucifixion of Saint Peter” as the basis for this essay.
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Baroque appeared in Italy, and later was spread all over the Northern Europe. The Baroque period embraces roughly the time from 1600 to 1750. The word ‘Baroque’ denotes “incorrectly shaped pearl” in Portuguese, and in this meaning it best describes the different styles that are united under the Baroque heading. Caravaggio, Italian Baroque artist, one of the most brilliant representatives of naturalism painting in the 17th century. His religious compositions address to the Counter Reformation liking for realism, austerity, and piety in art. Equally significant is his dramatic application of chiaroscuro - contrasting spaces of light and dark.
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Caravaggio’s main subjects are religious ones which he embodies with real courage as vitally proved. Caravaggio has a strong plastic modeling of form; he puts the oil-paint over the canvas with big, wide dabs applying strong contrasts of light and shadow that enhance the dramatic effects of many of his paintings. Sometimes Caravaggio’s works reached such a realistic force that clients refused from them not seeing the proper piety and ideality in the images. “The Crucifixion of Saint Peter” is one of Caravaggio’s masterpieces.
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The obscure, impermeable background attracts the viewer’s gaze back again to the keenly illuminated people who remind us, through the banal deformity of their actions and motions - note the yellow back and filthy feet of the lower man - that the death of the apostle did not look like a heroic drama, but a hapless and humiliating execution. Rembrandt was a portrait painter.
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He applies the Baroque device of spotlighting the parts that are most significant in his self-portraits. The golden tinges of his subtly lit canvas make a series of individual portraits. His method of using paint in touches of heavy-laden brushes is named impasto and sometimes adds an almost sculptural measurement to his work. Rembrandt is also famous for his religious paintings. He was one of few artists that created religious paintings in Protestant Holland.
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One of his earliest etchings and some drawings prove it. In the figures of a ragged youth who has knelt down and of an aged man who has put his hands on the youth’s clean-shaven head is seen the utmost intensity of feelings, the mental convulsion, the happiness of return, the bottomless parental love as well as bitter taste of disillusions, losses, humiliations, shame and penitence. This humaneness makes the scene understandable for people of all times and makes it eternal. The unity of colours especially astounds here. From orange-red tinges of the background – everything is a single picturesque current that is perceived as an expression of one feeling.
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